“NZE ANI / WHO AM I” Buganda Cultural Resource Centre

Focusing on Buganda traditional architecture and design theory behind the existence of her artefacts this project looks to traditional customs to support the net-zero carbon building agenda and thus to address the building construction related practices that contribute to the climate change crisis which is threatening the existence of human kind.

Studies on Buganda cultural heritage date back to the 13th century. Various researchers have extensively studied and documented Buganda’s social norms and beliefs, aesthetics, spatial organization, and the environment friendliness of the indigenous construction practices. However, in architectural research and practice demonstrations of how the low-carbon building practices can be re-imagined and incorporated in modern buildings are scanty. As such in Kampala, Uganda various recreative and residential buildings that have been designed and constructed as “traditional” have accomplished this decoratively or superficially by the mere introduction of thatched roofs.

The present project showcases how tradition building techniques and materials can be incorporated in modern buildings leading to architectural designs developed with mindfulness of materials and energy usage, and their context.

This project emphasizes preservation and the need for re-imagining cultural ideologies towards adherence to the global climate agenda and policy, and the African Union’s Agenda 2063.

My project should win or be recognised because the design stands out for its innovative approach to blending cultural heritage with modern functionality, ensuring both relevance and timelessness. By incorporating sustainable materials like reeds and thatch, it not only honours traditional craftsmanship but also promotes environmental responsibility. The layout, inspired by Buganda’s rich history, creates a narrative journey for users – local, regional and international – connecting them with the culture through carefully curated spaces like the interaction between outdoor and indoor spaces, dark and light themed galleries.

This design is not just a building; it is a living testament to the past, present, and future of Buganda. It fosters a sense of identity and pride for the people it represents while serving as a hub for cultural preservation and human connections. The attention to detail, user-centric approach, and commitment to sustainability make this project a model for future cultural resource centres.

Winning this competition would validate the importance of storytelling in architecture and the power of design to create meaningful connections.